Tag Archives: pen

ARMCHAIR TRAVELS – TIMES SQUARE, NYC

Welcome to Armchair Travels, an invitation to travel around the world through the reportage illustration of Studio 1482.We have gathered art from our travels to share with you in the hopes that, while you can’t get out and see these places (yet), our experiences may bring some happiness and light to your day. Please check back often as we will be posting new adventures weekly.

Enjoy Times Square, NYC by Greg Betza…

Times Square, that section of midtown New York City that has been referred to as the “Crossroads of the World”amongst other things (both favorable and not so much). It is a place that many native New Yorkers avoid at all costs and yet it is a not-to-be-missed destination for all tourists.

As a New Jersey native that spent a great deal of time in New York City, I have a certain fondness for Times Square, though I completely understand why you’d want to avoid it as well. What a contradiction!

Get me outta here!

Speaking of contradiction, could there be a place more antithetical to our current “new normal”? To think of the thousands of people that would traverse the area each day; have it reduced to a near ghost town in a matter of weeks. Chalk that up to things I’d never thought I’d see.

It was the masses of people that first brought me to Times Square to draw. It was a challenge. So many people, so much movement, even more personality. The architecture, the advertising, the lights! To learn to capture and tell that story was a lesson so important in my development as a reportage artist and illustrator. Here are a few early attempts.

Trips to draw here gave me the full sensory experience. Ears assaulted by honking horns, indiscernible shouts, tourists asking for directions…, music, discernible expletives, and of course, the pigeons!
The smells. Oh boy. From hot garbage in the summer, to the constantly wafting smell of something frying from the endless row of chain restaurants.
And watch your step, the garbage cans often overflow!
Now while this may sound horrible, it is what makes Times Square unique and as an artist you need to take it all in…the good and the bad, to tell the truth with your reportage. And despite all of this (and there is more) people flock here anyway and stay awhile. As did I, many, many times.

On a more positive note, looking up and around when you are here is inspiring. On the surface it can appear a soulless theme park devoted to consumerism, but if you can get past that tired and overused criticism, Times Square is home to so many visions realized. As a student of advertising I love to see the campaigns compete with each other publicly. How each brand approaches this space and how they utilize technology to bring their message to the masses is truly impressive. It’s a constantly evolving gallery.

One of the last times I spent a long day drawing in Times Square was back in 2010 when Mayor Bloomberg closed several sections to traffic, allowing the area to become more pedestrian friendly. I remember it was a very peaceful day, the people seemed to enjoy the space more than they had in the past and I believe I noticed more native New Yorkers hanging around that day too :)

Mystic Foremast Stepping | Despina Georgiadis

Mast Stepping

The other day in Mystic Seaport, there was a ceremony to mark the “stepping” of the foremast of the Morgan. That’s when the mast of a ship is erected onto the ship. The Morgan of course is the last wooden whaling ship in the US, and it has been through a massive restoration and will soon be on it’s 38th voyage.

I was so pleased and honored to be at the event, along with friends from Dalvero Academy. And even more pleased to don a hardhat and draw the action from the front line. The hard hats did give a the scene a sort of battle feel, especially when the crew worked and shouted out commands and codes and jokes.

I had a ball. I started drawing from land and followed the mast onto the ship where I continued the reportage from the deck. Next time I hope to do the opposite- start on the boat- so that I can get a glimpse of the coin being place at the bottom of the mast for luck. The second mast will be stepped in November. I can’t wait to go back.

First, here is a drawing I made of the overall scene. There is the Morgan in the background, waiting for her foremast. The crane, that was towering over me at one point, and I have to say, it made me nervous. And of course the massive mast in the foreground with the crew.

Mystic Foremast Stepping | Despina Georgiadis

The crew had not much to do as they waited for the green light to begin the work. They were itching to get started and were in good spirits.

Mystic Foremast Stepping | Despina Georgiadis

Mystic Foremast Stepping | Despina Georgiadis

Next, the go ahead was given and the ropes were the first to get attention. In fact, most of the action revolved around the ropes.

Mystic Foremast Stepping | Despina Georgiadis

With the ropes secured onto the mast, it was time for the crane to lower the hook to be secured to the ropes.

Mystic Foremast Stepping | Despina Georgiadis

Mystic Foremast Stepping | Despina Georgiadis

Mystic Foremast Stepping | Despina Georgiadis

They took a while making sure that the hook was perfectly secured. I don’t blame them! And overseeing the whole process was Quentin Snediker, the white bearded director of the restoration of the Morgan.

Mystic Foremast Stepping | Despina Georgiadis

As the mast began it’s slow rise into the sky, onlookers were a mix of joy and nerves. It was exciting.

Mystic Foremast Stepping | Despina Georgiadis

Mystic Foremast Stepping | Despina Georgiadis

The crane let go which meant that the crew on the ship had the mast in their hands. It was time for me to leave my post and hit the deck.

Mystic Foremast Stepping | Despina Georgiadis

The first thing I noticed was the hugging. I thought it was cute how the only way to steady the mast was to hug it.

Mystic Foremast Stepping | Despina Georgiadis

Through this portal, I saw some of the crew below as they watched.

Mystic Foremast Stepping | Despina Georgiadis

And from this view I could only see hands gently guiding the mast into position. I was told the bottom fits like a key into the keel. Another reason to draw from down there next time!

Mystic Foremast Stepping | Despina Georgiadis

This is Alex, and he seemed to have an integral role in the process.

Mystic Foremast Stepping | Despina Georgiadis

Next, a head popped up from below deck to announce that the mast was in place.

Mystic Foremast Stepping | Despina Georgiadis

The bell on deck was rung and the next phase was swiftly underway.

Mystic Foremast Stepping | Despina Georgiadis

The ropes from the top of the mast were then attached to the sides of the boat. Every rope has a name on a boat, hence the term “learning the ropes”. Because it takes a while to learn the name of what looks like a thousand ropes!

Mystic Foremast Stepping | Despina Georgiadis

And the work was winding down the same way it began, with a lot of rope work.

Mystic Foremast Stepping | Despina Georgiadis

Mystic Foremast Stepping | Despina Georgiadis

I was pleased to see a woman on deck. It was once considered the worst of luck to have a female aboard.

Mystic Foremast Stepping | Despina Georgiadis

Below is who I thought to be the director of the crew. The captain? Not sure, but this guy did most of the shouting of the commands and the pointing, so I’m pretty sure he was in charge.

Mystic Foremast Stepping | Despina Georgiadis

Mystic Foremast Stepping | Despina Georgiadis

At last, the mast was in it’s place and the sun made a brief appearance in approval.

Mystic Foremast Stepping | Despina Georgiadis

You can click on this link to see more about that day.

A Night of Drawing - Dominick Santise

A Night of Drawing

Had the pleasure of attending the Workbook Creative Carnival last Thursday out in Chicago. This was my first time out to the carnival (no comments Bob) and it was a great time all around. It is really hard to have a bad time when you are asked to draw for prospective clients, get to mingle in a foreign city and help raise some money for scholarships. Thanks to everyone at Workbook for making the night happen. A few drawings and photos (thanks to Greg) from the night.

A Night of Drawing - Dominick Santise

A Night of Drawing - Dominick Santise

A Night of Drawing - Dominick Santise

A Night of Drawing - Dominick Santise

A Night of Drawing - Dominick Santise

A Night of Drawing - Dominick Santise

Everything but the Kitchen Sink - Dominick Santise

Everything but the Kitchen Sink

Just got a copy of a corporate piece done for Bristol-Myers Squibb. I stress corporate because this was the definition of bureaucratic approval. I worked with a great team but where we started and where we ended are very different places. I don’t even think they saw all the feedback coming when it did. I had to stay on my toes at all times, ready for everything. None the less a great job, happy to finally get it in hand. Here are few of the pieces.

Everything but the Kitchen Sink - Dominick Santise

Everything but the Kitchen Sink - Dominick Santise

Everything but the Kitchen Sink - Dominick Santise

Harley Davidson Dark Custom | Greg Betza

Harley Davidson Dark Custom

Harley Davidson Dark Custom | Greg Betza

Last December I was contacted by Carmichael Lynch to be 1 of 7 illustrators contributing toward a custom promotional booklet announcing the launch of the Harley Davidson Dark Custom Motorcycle. The art producer on the project, Andrea Mariash, has recently posted the job to her weblog, and I thought it would be a great time to show the drawings. It was an interesting assignment, a new one for me. I was asked to act as a biker, out on the road, doodling (with ballpoint pen) in his little black book. It was interesting to be asked to do what I would do if I was someone else. The first illustration is the road snaking into a dragon or serpent, and the second, a night on the town with the Dark Custom. Anyway, I’m happy with the illustrations,and I’d love to hear what you think.

Harley Davidson Dark Custom | Greg Betza